The bible belt of early 1960s rural Oklahoma wasn’t a great time and place in America for outsiders. And this god-fearing country is certainly no place for two girls that may be slowly falling in love and calling too much public attention to all the time they’re spending together. Director Martha Stephens (co-director of 2014 Sundance film “Land Ho!” with Aaron Katz) adapts Shannon Bradley-Colleary‘s screenplay on intolerance and class-warfare in pre-sexual revolution America into an artfully visual feast, but one that unfortunately plods along at an uneven pace into heavy-handedness as the drama intensifies. It’s a missed opportunity for something more poignant.