The issue began at JFK Airport, where TSA officers reportedly would not allow him to bring the trophy onboard the aircraft, citing concerns that it could be used as a weapon.

The film is being developed under Paramount, with Christopher McQuarrie—known for his work on the Mission: Impossible franchise—attached to direct.

On paper, “Deep Water” seemed like it could be yet another flop added to Renny Harlin’s ever-expanding résumé — a career so baffling that almost anyone else would’ve been exiled from the industry.

‘Close Encounters’ left certain mysteries unresolved, and “Disclosure Day” is now being framed as a continuation, or response, to those unanswered questions.

Lionsgate has announced that, after contractual disputes, the OG Blair Witch cast are set to serve as executive producers on the upcoming reboot.

The film, which hits theaters tomorrow, has a budget of $35M, but if reviews are any indication, it’s a slow march toward a doomful fate that awaits this film.

‘Narnia’ producer Mark Gordon describes it as a “four-quadrant” movie designed to entertain all audiences, especially children, and indicated it will likely receive a PG rating.

Here is the trailer for Zach Cregger’s “Resident Evil.” What do you think? I’ll have more in a few minutes ..

Lionsgate boss Adam Fogelson confirms that “Michael” producer Graham King wants to shoot the sequel this year. However, with Antoine Fuqua busy, scheduling could complicate his return.

Na’s last film, The Wailing, released 10 years ago, played out of competition at Cannes and remains one of the most quietly influential Korean films of the past decade

Jeremy Strong is set to star in ‘Girl With the Needle’ helmer Magnus von Horn’s “The Passenger,” based on the 1938 novel of the same name by Ulrich Alexander Boschwitz.

Set in the 1910s, “Polaris” follows a photographer who goes to Alaska to take photographs of the Inuit and encounters the devil in the Arctic.

A new report written by The Telegraph’s Tim Robey says the script, from Steven Knight, is “nowhere near ready,” while key creative figures remain otherwise occupied, and Amazon/MGM feels lost.

Fairly average reviews, but not disastrous either. Meryl Streep is, naturally, earning strong notices, and there’s some nostalgia value in seeing the cast back together.

Although I’ve been disappointed by many of the projects he’s taken on over the past couple of decades, I still find myself following whatever De Niro signs onto next. I can’t help it.

The film is essentially a rom-com version of “The Purge,” where premarital sex is outlawed for one night each year. There’s some potential in that premise, but the trailer isn’t really raising my expectations.

Steven Spielberg’s “Disclosure Day” has a runtime of about 2 hours 25 minutes, and according to his info, Spielberg’s film might actually be longer than Nolan’s “The Odyssey.”

Avary is the latest fiommaker to take on John Milton’s 1667 epic “Paradise Lost,” a work that has repeatedly proven difficult for adaptation due to its dense themes and enormous narrative scale.

Can we really call Nolan’s version—whether it lands at 2 hours 40 minutes or 2 hours 50 minutes—“stripped down”?

The MPA has unveiled its latest batch of ratings, and a pair of high-profile titles are seemingly done with post-production work.