Hey, would you look at that, Paramount is up to its old tricks again—not adhering to a robust theatrical bow for their biggest title of the year.

Ten years later, 2016 feels like a lifetime ago in cinema terms. Looking back, the movies from that year almost feel like artifacts from a world that’s somehow distant.

The competition lineup is starting to become a little clearer. We now know what’s ready, what isn’t, and with that, these twelve titles seem destined for Palme d’Or contention.

Michael Schwartz broke out with “The Peanut Butter Falcon,” a coming-of-age story about a young man with Down syndrome who dreams of wrestling, starring Dakota Johnson, and Shia LaBeouf.

The new trailer for “Euphoria” Season 3 has arrived, running close to three minutes, and showing up ahead of the show’s April 12 premiere on HBO and HBO Max.

Alec Baldwin is set to join Chris Hemsworth, Taron Egerton, and Zazie Beetz in “Kockroach,” a New York crime movie from director Matt Ross (“Captain Fantastic”).

Sony Pictures, Laura Dern, and Adam McKay are set to tackle the Jeffrey Epstein conspiracy in an upcoming limited series about the investigation that helped crack this whole can of worms open.

Cannes boss Thierry Frémaux has implied that American cinema’s presence may be smaller this year, adding that studios are producing fewer blockbusters and auteur-driven titles

An interesting New York Times opinion piece, written by former Amazon exec Roy Price, will certainly lead to agreement, and disagreement, but mostly debate.

The Aussie-born filmmaker confirmed she’s “working on a sci-fi film that looks to be shooting this year.” According to Kent, it’s an “adaptation of something.”

This film has tested over eight times, so I imagine it’s either not good, or Warner Bros is really reworking it for the perfect version. Or maybe the truth lies somewhere in the middle.

Following her historic Oscar for “Sinners,” DP Autumn Durald Arkapaw has already lined up back-to-back projects, both with frequent collaborators.

An incredible $53M second weekend awaits “Hail Mary,” representing just a 34% drop—unbelievable numbers. It’ll be at $150M+ domestic by Sunday evening

We have no idea how Aaron Sorkin’s “The Social Reckoning,” a sequel to “The Social Network,” is going to go. There is some skepticism, most of the complaints about who is not coming back.

Phil Lord and Chris Miller recently revealed they initially screened a four-hour cut of the film to a group of director friends, and that feedback was “embarrassing.”

A small batch of news coming down the wire on this quiet Friday. John Hannah is set to return to ‘The Mummy’ franchise, reuniting with co-stars Brendan Fraser and Rachel Weisz in ‘The Mummy 4.’

There’s no word on whether David F. Sandberg will return to direct, but “Lights Out” was based on his original 2014 short — so he might have a say here.

Vinterberg, who earned an Oscar nomination for Best Director for “Another Round” and previously won the Cannes Jury Prize for “The Celebration,” is known for his provocative character studies

Antoine Fuqua’s “Michael” is absolutely killing it in ticket pre-sales. Internal tracking is hinting at an $80M–$90M opening weekend.

Borgli's “The Drama,” starring Zendaya and Robert Pattinson, hits theatres next week, but now backlash has surrounded him over past comments.