The main issue causing the delays might have to do with the planned $120M budget, and the fact that producers still do not have deals with stars Chris Tucker and Jackie Chan.

A recent private screening of “Artificial” (about two weeks ago) suggests Luca Guadagnino might have made one of his most zeitgeisty films yet.

While critics have trashed Antoine Fuqua’s Michael, which hit theaters nationwide at noon today, audiences seem to be responding far more positively.

What once looked like a dead project is inching back into motion. After years of silence, the remake of the 1983 Oscar-winning film is quietly assembling cast and crew again, with a June shoot being eyed.

Emmanuel Lubezki has been replaced by Joshua James Richards, whose credits include three Chloé Zhao films—“Songs My Brother Taught Me,” “The Rider,” and “Nomadland”

For decades Proyas has been trying to make “Heaven,” a sci-fi satire along the lines of Terry Gilliam’s “Brazil.” One problem: the budget was way too high, reaching the $80–$100M mark.

Jeff Nichols’ “King Snake” has started production in Arkansas. Nichols’ regular cinematographer Adam Stone is back onboard for this one.

This latest film comes after the recent announcement that Barker is also set to tackle a new version of “The Texas Chainsaw Massacre” for A24 as writer and director.

What feels shortsighted is Amazon/MGM reflexively treating this as streaming-only, as if a $30M, star-driven rom-com with Javier Bardem and Kate Hudson has no real theatrical value left to offer.

Coming off “The Bride!,” Maggie Gyllenhaal has been named Jury President for the 83rd Venice Film Festival, running from September 2 to 12.

“Murder, She Wrote” has now been delayed by a few months, with Universal Pictures pushing the release date from December 22, 2027, to February 4, 2028.

Well, it’s official. Universal Pictures is moving forward with a new Miami Vice movie, which is now titled “Miami Vice ’85.”

A trailer has arrived for “Clayface,” the upcoming DC Studios feature directed by James Watkins and written by Mike Flanagan and Hossein Amini, positioning the film squarely as a Halloween-season release for 2026.

This morning it was James Gray, and now the Cannes Film Festival has announced fifteen additional titles for its 79th edition, including Zachary Wigon’s “Victorian Psycho.”

Greengrass is coming off “The Lost Bus,” which premiered at TIFF last year, and given the timing of “The Uprising,” that suggests a similar festival rollout strategy.

This past January at the Sundance Film Festival, Neon picked up the queer horror mashup “Leviticus,” a story centered on conversion therapy, reportedly in the $5M+ range. We now have our first trailer.

Two-time Oscar nominee Melissa McCarthy and Connor Storrie are in talks to star in “Turpentine,” a new thriller directed by Craig Zobel.

Here’s a major festival update: James Gray’s “Paper Tiger” has officially joined the Palme d’Or competition lineup at the Cannes Film Festival. Neon has landed US rights to the film.