The screening took place after Cruise reportedly arrived too late for an earlier showing and instead invited AMC employees to join him for a private screening.

I agree with Variety‘s Owen Gleiberman that the so-called “Final Cut” of “Manhunter,” just released, is actually an inferior version of the film. It only reinforces my skepticism toward director’s cuts.

That $264M global number is the biggest of Nolan’s career, besting “The Dark Knight Rises” ($249M), “The Dark Knight” ($199M) and “Oppenheimer” ($174M).

Colman Domingo has been tasked with co-writing a live-action take on Disney’s animated 2009 feature, “The Princess and the Frog,” or an untitled Princess Tiana story.

Dickinson was previously considered a top-tier candidate, ranking within the top four on the studio’s shortlist.

Nolan says we shouldn’t expect another film from him anytime soon. The Oscar-winning director admits that he plans to step away for a while, indicating it will be “at least three years” before his next movie.

Fresh off being announced as the opening-night film of the Venice Film Festival, Danny Boyle’s “Ink” has landed a major distribution deal at Netflix.

Brest directed quite the streak of successful films in the ’80s and ’90s: “Going in Style,” “Beverly Hills Cop,” “Scent of a Woman,” “Meet Joe Black,” and, his masterpiece, “Midnight Run.” Then “Gigli” happened.

Mills confirms that he plans to begin shooting his still-unannounced feature this fall and that it will exist in the same creative territory as his last three films.

Although it had been hinted at for over six years now, the sequel was never actually confirmed to be in development, but a new listing now has it set up to shoot in October.

Sony Pictures has snatched up “Hollow,” a new retelling of “Sleepy Hollow” that will star none other than Sydney Sweeney, based on Lindsey Anderson Beer’s debut novel.

The pilot for Ryan Coogler’s reboot of The X-Files officially wrapped earlier this month, and I’ve been hearing fascinating things about the behind-the-scenes developments on this project.

Parsons is currently in negotiations with A24 for a three-year first-look deal. One of the projects being discussed is a sequel to “Backrooms,” which Parsons already has an idea for.

If you can believe it, Matt Damon has not given up on Bourne. He’s now saying that he might be close to cracking a worthy story for the next instalment.

Here’s something that should surprise absolutely nobody: Netflix has revealed that roughly 300 titles on its platform have used generative AI.

Dominic Sessa, who gained attention for his lead role in “The Holdovers,” is playing the late Anthony Bourdain in “Tony,” an upcoming film produced by A24.

On the occasion of “The Odyssey,” which has resulted in a slew of published lists this week ranking all of his films, I’ve decided to update this poll, adding more lists, with now almost 200 tallied.

Neill “had filmed four projects back-to-back during the past year, all of which will be released within the coming months,” according to his rep.

It’s been seven years since Israeli-American director Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf.

If you loved Mary Bronstein’s “If I Had Legs I’d Kick You,” starring Rose Byrne, as much as I did — then this news should put a smile on your face.