It might come as good news for some ‘Scream’ fans that Williamson is now saying he will not be returning for “Scream 8,” which might still enter production in the fall.

Bigelow is coming off last year’s “A House of Dynamite”—her first film in over eight years. She’s also the filmmaker behind “The Hurt Locker,” “Zero Dark Thirty,” “Strange Days,” “Point Break,” and “Near Dark.”

McKay has set up a new film. He’s going to direct a script he’s not written, one penned by “Together” helmer Michael Shanks. Sony Pictures has picked up this untitled sci-fi comedy.

The reviews, much like the first one, are terrible. Even on Rotten Tomatoes, which nowadays seems to have almost every wide release garnering a “fresh” rating, it’s struggling.

There’s still a lot we have yet to learn about Netflix and David Fincher’s “The Adventures of Cliff Booth,” if that’s even what it’s called, including and especially the release date.

Here comes Eli Roth to save cinema. Roth, a director best known for his contributions to the torture-porn genre, has dated his next film.

“Supergirl” has a full length trailer. Krypto is apparently in danger, he needs to be saved, but don’t worry — there’s almost zero chance he won't survive.

This trailer comes over a week after a very successful test screening for “Backrooms,” Even those unfamiliar with the story’s lore felt the film was effective.

Word is that Paramount Pictures President believes the project has the potential to become “the next ‘Transformers’ or could be a Marvel universe.”

Amy Adams and Patrick Wilson co-star as the couple Cady terrorizes. You would think the script must have been great for such talent to take part in a remake that, on paper, sounds unnecessary.

I’m mixed on Kristoffer Borgli’s “The Drama,” which, for some odd reason, had its review embargo lifted at 3 a.m. ET / 6 a.m. PT this morning.

Hey, would you look at that, Paramount is up to its old tricks again—not adhering to a robust theatrical bow for their biggest title of the year.

Ten years later, 2016 feels like a lifetime ago in cinema terms. Looking back, the movies from that year almost feel like artifacts from a world that’s somehow distant.

The competition lineup is starting to become a little clearer. We now know what’s ready, what isn’t, and with that, these twelve titles seem destined for Palme d’Or contention.

Michael Schwartz broke out with “The Peanut Butter Falcon,” a coming-of-age story about a young man with Down syndrome who dreams of wrestling, starring Dakota Johnson, and Shia LaBeouf.

The new trailer for “Euphoria” Season 3 has arrived, running close to three minutes, and showing up ahead of the show’s April 12 premiere on HBO and HBO Max.

Alec Baldwin is set to join Chris Hemsworth, Taron Egerton, and Zazie Beetz in “Kockroach,” a New York crime movie from director Matt Ross (“Captain Fantastic”).

Sony Pictures, Laura Dern, and Adam McKay are set to tackle the Jeffrey Epstein conspiracy in an upcoming limited series about the investigation that helped crack this whole can of worms open.

Cannes boss Thierry Frémaux has implied that American cinema’s presence may be smaller this year, adding that studios are producing fewer blockbusters and auteur-driven titles

An interesting New York Times opinion piece, written by former Amazon exec Roy Price, will certainly lead to agreement, and disagreement, but mostly debate.