“Cliff Booth” is now getting the originally slotted date of Greta Gerwig’s “Narnia,” which was recently delayed to February 2027. AMC has facilitated this despite the short window.

Michael Bay is set to direct a film based on the recent high-risk military rescue mission involving downed U.S. pilots in Iran. Universal is onboard.

Hansen-Løve has written a new film — a period piece set in England. “If Love Should Die” will concern the 18th-century English feminist philosopher Mary Wollstonecraft.

Matt Damon is in talks to star in the untitled sci-fi action comedy from directing duo Daniel Kwan and Daniel Scheinert, better known as The Daniels.

“Backrooms” is now destined to smash A24’s opening weekend record, which is currently held by Alex Garland’s “Civil War ($25.7M). All this on a budget that is $8M range. Unbelievable.

Iñárritu has described “Digger” as “a new kind of film,” and stated that Cruise “will surprise the world” with his performance, which has inevitably led to speculation that this could be his best chance at an Oscar.

Every once in a while, I get asked about the status of Leos Carax’s next film, but given the secretive nature of the French filmmaker, not much info has leaked out—until today.

Matt Spicer, who directed the highly underrated indie “Ingrid Goes West,” part of the film? This is actually Spicer’s first effort since ‘Ingrid,’ which was released in 2017.

This film is a vibe. Arthur Harari’s “The Unknown” is shot with grounded realism but is also full-on weird fantasy, but the “weird” here goes beyond the word’s usual reach.

Curry Barker’s “Obsession,” which finished third, with a $17M debut, had a better Monday earning close to $3M compared to “Michael” at $2.7M. Barker’s film has some major legs.

The usual names mentioned have been spitballed by Screen International in their Venice Film Festival predictions. A little early, especially with Cannes Film Festival still going on as we speak.

Warner Bros.’ new label Clockwork has won a bidding war to acquire Park Chan-wook’s “The Brigands of Rattlecreek” for North America. The deal is said to be in the $15M range.

Netflix is remaking one of the most entertaining action movies of the 1970s. Philip Barantini, the director of “Adolescence,” has been tasked with making a new version of the 1972 Steve McQueen classic “The Getaway.”

Andrey Zvyagintsev has delivered another great film, “Minotaur.” It may not be his finest work — a very high bar has been set — but the icy precision and hypnotic force of his filmmaking remain undeniable.

Julianne Moore has confirmed (via Variety) that she has a small supporting role in “Cry to Heaven,” Tom Ford’s comeback film, which wrapped production in March.

The upcoming sequel is described as a continuation of 1982’s “Conan the Barbarian,” focusing on an older version of the character who has lived as a king but is drawn back into action.

As expected, and with the embargo having now lifted, the reviews for “The Mandalorian and Grogu” are very concerning for Disney.

There’s only so far gorgeous visuals and an incredible score can carry a movie before you realize there’s barely any story to hold onto, and you completely disengage.

This is a film about how extremism feeds extremism. Everybody believes they’re morally right. Everybody becomes trapped inside ideology, fear, and self-righteousness.

Seven months after what French press described as the "the heist of the century" at the Louvre, Gavras has announced a film devoted to this topic.