Hill returns to the director’s chair with “Outcome,” which is being produced by Apple Original Films. The film was shot in early 2024 and has had some delays since then.

Blumhouse probably should have kept the original test-screening title, “The Resurrection,” because, if anything, Cronin’s film is looking more and more like an ‘anti-Mummy’ statement.

More Cannes first looks. This one is for Belgian filmmaker Lukas Dhont’s “Coward,” playing in competition, following his first two films, which also premiered on the Croisette.

Cannes boss Thierry Frémaux has now addressed speculation about whether James Gray could bring his new film “Paper Tiger” to Cannes, offering cautious optimism.

Netflix has finally acknowledged the existence of Brad Bird’s “Ray Gunn,” sharing the first official images of the upcoming neo-noir sci-fi action animated movie.

How odd that Nicolas Winding Refn, who has had his last three films compete for the Palme d’Or, will now be relegated to an out-of-competition slot at Cannes with his latest, “Her Private Hell.”

The 79th edition of the Cannes Film Festival has announced its lineup. A total of 21 films have so far been confirmed to compete for the Palme d’Or.

Fandango recently surveyed more than 6,000 movie ticket buyers to find out which films they’re most excited to see this upcoming summer — and the results emphasize audience preference for IP.

If you look up Italian articles about this upcoming production, you’ll notice Vittorio Storaro’s name mentioned as the potential cinematographer.

Cannes is putting the finishing touches on the lineup for its 79th edition, and to say this will be an eclectic mix of filmmakers vying for the Palme d’Or would be an understatement.

Remember “Troop Beverly Hills”? A sequel has just been announced, and it’s arguably one of the most unexpected follow-ups in recent memory.

McKay’s project was set to star Robert Pattinson, Robert Downey Jr., Amy Adams, Forest Whitaker, and Danielle Deadwyler. The budget was said to be very high ($150M+).

Todd Haynes might be shooting “De Noche” in black and white, which would make it only the third time he’s done that in his career, after “I’m Not There” and “Wonderstruck.”

Critics are decidedly underwhelmed, with the embargo having now lifted, and the third season currently holding a lukewarm 50% on Rotten Tomatoes.

WASK’s Thomas Gastaldi has his annual intel-filled Cannes spitball, and he’s hearing a rumor so wild that, even though I had heard about it from someone just a few days ago, I refused to believe it.

According to Deadline, a key role still needs to be cast, with Marisa Abela, Adria Arjona, and Ella Purnell having tested for it last week. Gunn is calling “bullsh*t.”

Conversations are underway about how to make them “cheaper and shorter,” so the investment becomes “less risky” for Disney.

Argentine filmmaker Lisandro Alonso is directing a remake of “Taste of Cherry” — the 1997 Palme d’Or-winning film by late Iranian filmmaker Abbas Kiarostami.

Steven Soderbergh, who has released nine films over the last seven years, isn’t set to shoot anything this year — unusual given how prolific he is — but it’s not for lack of trying.

That’s a wrap on What Happens at Night in Prague. All that’s left is interior shooting in New York City this month. It’s turning into one of Martin Scorsese’s shortest shoots in years.