Na Hong-jin decided to make the biggest, loudest sci-fi action monster movie possible and somehow convinced Cannes to screen it in competition.

Eisenberg is coming off the success of “A Real Pain,” released in 2024, which earned widespread acclaim and an Oscar for supporting actor Kieran Culkin.

During a masterclass at the Cannes Film Festival, Cate Blanchett revealed she will star in Brady Corbet’s next film, “The Origin of the World.”

In a Variety op-ed, Vin Diesel reflects on returning to Cannes for the 25th anniversary of “The Fast and the Furious,” framing it as a important moment for popular movies.

For many auditioning actors, simply being connected to James Bond can dramatically raise their visibility in the industry, even if they never seriously contend for the role.

Claire Denis is in prep mode for a film that’ll bring her back to the genre roots of 2001’s “Trouble Every Day.”

Gray refuses to change the way he makes movies, embracing an old-school classicism that may feel dated to some, but to others represents one of the last remnants of a distinctly American style of filmmaking that barely exists anymore.

Lonergan is set to direct “Tomorrow Is a Drag,” which is set to be his first film in over 10 years. Not just that, but Aubrey Plaza, Adam Driver, Vanessa Kirby and Matthew Broderick have signed on to star.

The 2007 film, a vital contender for the great American epic of the 21st century, is arguably PTA’s greatest achievement—a film that demands and rewards multiple viewings.

I’m not usually one to track Cannes standing ovations with a stopwatch, or even report on them, but in this era of endless over-applause, a three-minute ovation usually means something didn’t quite land.

Zvyagintsev actually positions “Minotaur” as a remake to Claude Chabrol’s “The Unfaithful Wife,” which itself was already remade by Adrian Lyne with 2002’s “Unfaithful”

“Michael” is now set to reclaim the #1 spot at the box office in its fourth weekend of release. The smash hit from Lionsgate is projected to earn around $25M this weekend

Who’d a thunk it? Jordan Firstman, known for his viral social media “impressions” and indie film work, has delivered a wonderful directorial debut at Cannes Film Festival with “Club Kid.”

Michael Fassbender is set join Selena Gomez in Brady Corbet’s next film, which is currently in pre-production, with a 50-day shoot slated for Portugal and South Africa.

Yesterday, James Franco mentioned how he was cast in an upcoming “blockbuster” set for a 2027 release, but refused to reveal what it was. We now know the answer.

What is going on here exactly? Ever since reviews dropped I’ve been wanting to check it out, curious as to whether these raves were justified. What did our readers think of this film?

Yes, above is an image of auteur John Travolta at the Cannes Film Festival, where he just premiered his 61-minute directorial debut, “Propeller One-Way Night Coach.”

Raimi is set to direct a modern remake of “Magic,” based on the William Goldman novel Magic, which was previously adapted into the 1978 film directed by Richard Attenborough, starring Anthony Hopkins.

“Obsession.” which sits at 79 on Metacritic, nabbed $2.6M in previews on Thursday and is headed towards a $15M weekend, maybe more if word of mouth manages to spread fast enough through Sunday.

What’s interesting is how much this film feels like a culmination — and also a possible breaking point — for the ideas Hamaguchi has been circling since “Wheel of Fortune and Fantasy.”