A24, once the cool kid on the block, is now facing severe backlash after announcing a research partnership with Google DeepMind that includes a $75M investment to explore AI filmmaking.

Yes, this is an adaptation of Sylvia Plath’s landmark novel, which Polley is directing for Focus Features, and with a 2027 premiere being eyed, no doubt at one of the major film festivals.

Universal Pictures recently dated “The Catch” for May 21, 2027—a summer release and a strong sign of confidence in this non-IP romcom starring Emma Stone and Chris Pine.

“Cut Off,” Jonah Hill’s third directorial effort, which was set to hit theaters this July but was recently removed from the Warner Bros. release calendar, has turned into a major headache for Warner Bros.

Boll claims European countries, specifically Germany and the UK, are limiting the film’s distribution due to “cultural concerns.” He has used the word “banned” to describe the censorship.

What started as a projected $65M opening weekend in June is now looking more like a three-day tally in the $39M range. That would be a disastrous start for a film that cost $185M+.

Now, this is showing confidence in your movie. Universal has decided to skip word-of-mouth (a.k.a. influencer) screenings for Christopher Nolan‘s “The Odyssey.” Thanks to the heavenly gods.

After a turbulent run in feature directing, Rogen seems to be cautiously re-entering that space again, and might even be shooting something come next year.

Universal Pictures has confirmed standalone Donkey movie from DreamWorks Animation, set to hit theaters on June 30, 2028, confirming comments Eddie Murphy made last year.

You gotta love Brad Bird. While Pixar is milking sequels every chance it gets, one of the few classics that has yet to receive a continuation is Bird’s “Ratatouille,” an absolute animated masterpiece.

Christopher Nolan’s “The Odyssey” had its first press screenings a few days ago—two, to be precise, including one at NYC’s AMC Lincoln Square 13.

A nice surprise out of this year’s Sundance Film Festival was Padraic McKinley’s “The Weight,” which was met with positive reviews and even finished third in IndieWire’s critics poll of the fest.

It’s been four years since “Barbarian” hit theaters and officially launched Zach Cregger’s filmmaking career. After many petitions, and constant fan complaining, the physical media release is coming.

If Armie Hammer recently decided that the best comeback vehicle for him was an anti-Islamic rape-gang movie directed by Uwe Boll, then Majors’ comeback vehicle isn’t far off from that vibe either.

He should have won it for “Magnolia,” but Tom Cruise is now being backed by what will be a massive Warner Bros.-led campaign to get him his first golden statuette.

Here is the first interview Robert Eggers has given for “Werwulf,” speaking with Esquire, who go on to show us our first look at Aaron Taylor-Johnson in Eggers’ film.

There’s a special place in my heart for the drama that surrounded the making of Olivia Wilde’s “Don’t Worry Darling,” a 2022 production unlike any we’d seen before.

can’t keep this film hidden forever. At some point, “Wizards!” will have to be shown to the public—or is the plan simply never to release it?

Craig Gillespie’s “Supergirl” is not doing well with critics as the review embargo has finally lifted on the DCU film. James Gunn must be wondering what went wrong, but we saw this coming.

Netflix is giving “La Bola Negra” a 28-day theatrical window beginning November 6. The film, which won Best Director at Cannes, will debut on the platform on December 4. By Netflix standards, this is a robust theatrical rollout.