While we wait for his tenth and final film, Tarantino’s self-imposed ten-movie limit has pushed him to search for loopholes—dabbling with the idea of telling stories via stage work, television, and novellas.

Deakins, the legendary cinematographer, believes Hollywood has changed dramatically, and that many modern films are losing the qualities that once defined great filmmaking.

Hollywood’s music-biopic obsession isn’t just alive — it’s in full-blown overdrive. Here’s another one, and it already has an actress attached for the lead role.

Paul Thomas Anderson and composer Jonny Greenwood have noticed that music from their film “Phantom Thread” was used in “Melania,” and they want its immediate removal from the film.

‘Marty’ edged past “Everything Everywhere All at Once,” which topped out at $77M stateside, and for almost four years, reigned supreme worldwide with a $145M global haul.

What do you think? I’m still not entirely sure about this one — something feels off. Still, a new Spielberg is coming soon to theaters, which is, in and of itself, a major event for movie fans.

Netflix surprised movie fans during the Super Bowl with an unexpected sneak peek of Brad Pitt reprising his role as stuntman Cliff Booth in David Fincher’s follow-up

It’s Super Bowl time, and here’s the latest “Project Hail Mary” trailer, clocking in at 2 minutes 44 seconds — and, beware, it contains SPOILERS.

Sony is rebooting “House of the Dead” without Boll’s participation, instead directed by Paul W.S. Anderson and starring Isabela Merced, and Uwe Boll is absolutely pissed.

Can we now finally, officially, accept that the frontrunners for Best Director—and, for that matter, Best Picture—are Paul Thomas Anderson and “One Battle After Another”?

The Winter Olympics—and, more importantly, the Super Bowl—are going to affect the weekend box office, as theaters will be quieter than usual.

Park confirmed that a longer cut of “No Other Choice”—18 minutes longer, running 2 hours and 37 minutes—will be front and center when the film arrives on 4K.

Warner Bros. has pushed the DC Studios film “Clayface” from Sept. 11 to Oct. 23, 2026. Directed by James Watkins from a screenplay by Mike Flanagan and Hossein Amini

Mamet’s best film work, as director and/or writer, includes “The Verdict,” “The Untouchables,” “Glengarry Glen Ross,” “Wag the Dog,” “House of Games,” “Ronin,” “The Spanish Prisoner,” and “The Edge.”

This inspirational story stars David Corenswet (“Superman”) as John Tuggle, who was picked last in the 1983 draft by the New York Giants.

Hollywood has been courting Miike for years, and it looks like it’s finally happening. The director has made hundreds of films—he might as well take a stab now.

“Melania” is one for the history books—or at least Rotten Tomatoes footnotes—a film beloved by ticket buyers, most of whom voted for Trump, and reviled by critics, most of whom didn’t.

Berger is set to direct Austin Butler as Lance Armstrong in a biopic tackling the disgraced cyclist. Zach Baylin (“King Richard”) is writing the script, with Scott Stuber producing.

Domingo make his debut behind the camera on “Unforgettable,” a musical biopic of legendary singer Nat King Cole. The actor will play Cole, and he has also co-written the script and will produce.