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Leos Carax’s Next Film to Shoot in 2026 — Adam Driver & Léa Seydoux Attached to Star
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Alexander Payne’s ‘Somewhere Out There’ to Star Renate Reinsve — First Non-English Film
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Adam Driver Eyeing Lead Role in WB’s ‘Blow Up The Chat’, a Hangover-Style Comedy
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Denzel Washington & Robert Pattinson to Star in Fernando Meirelles’ ‘Here Comes the Flood’ for Netflix
Taylor Sheridan’s ‘F.A.S.T.’ Lands at Warner Bros — Sets April 2027 Release Date
Taylor Sheridan’s ‘F.A.S.T.’ Lands at Warner Bros — Sets April 2027 Release Date
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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14 Great Movies with “Rotten” Scores

April 6, 2020 Jordan Ruimy

For a film to be "rotten" on Rotten Tomatoes it has to have a score of under 60%. Even films that were at first critically reviled, but have aged like fine wine, have (for the most part) had their scores boosted above 60% by present-day reviews and reconsideration. Because of that, it was actually tough to find 10 “classic” movies which are still rotten. These are all still below 60%, but as time passes they will more than likely move towards that 60 percent fresh spot. For now, they belong on this list.

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In LISTS Tags Stepbrothers, The Life Aquatic, Happy Gilmore, Taken, Home Alone, Basic Instinct, Fear & Loathing in Las Vegas, Summer of Sam, Antichrist, Ace Ventura, Kingdom of Heaven, The Passion of the Christ, Mel Gibson, MacGruber, The Boondock Saints, Rotten Tomatoes
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Critics Refusing to Admit Craig Zahler’s “Dragged Across Concrete” is An Achievement

March 23, 2019 Jordan Ruimy

Armond White’s review of Craig Zahler‘s “Dragged Across Concrete” is one of the few honest assessments of what Zahler has accomplished with his third feature-length film [via National Review]:

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In NEWS Tags “Dragged Across Concrete”, Right-wing, critics, movie, Mel Gibson
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S. Craig Zahler's ‘Dragged Across Concrete' Is Avant-Garde Right-Wing Cinema [Review]

March 19, 2019 Jordan Ruimy
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Bless writer-director S.Craig Zahler’s pulp heart for not conforming to what it supposed to be deemed acceptable in movies today. His first two movies “Bone Tomahwak” and “Brawl in Cell Block 99,” were non-conformist depictions of violence raised to the level of art. Casting conservative actors like Vince Vaughn, Mel Gibson and Kurt Russell in his films has irked people to no end; Zahler has been called every name in the book: A misogyniost, bigot, racist, sexist and, really, any terrible term deemed “alt-right” on Twitter. Sounds familiar? Quentin Tarantino had the same issues back in 1994 when his “Pulp Fiction” pushed the boundaries of distastefulness in cinema to create a landmark movie event. Zahler isn’t in the same league yet as QT, but his rebellious brand of avant-garde, right wing cinema is making a mark, whether people want to admit it or not.

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In REVIEWS Tags Vince Vaughn, Mel Gibson, Dragged Across Concrete, Craig Zahler, Right-wing
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Immediate backlash following announcement of Mel Gibson as "The Wild Bunch" director

September 26, 2018 Jordan Ruimy
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Another Mel Gibson backlash has started. This week it was confirmed that Gibson was hired by the WB to remake the 1968 Sam Peckinpah-directed classic, "The Wild Bunch." I mentioned how Peckinpah, a well-known working alcoholic who pushes boundaries with his violent movies, and Gibson seemed to be a match made in heaven or is that hell? Regardless, a pushback has occurred, and it all started with a Sarah Silverman tweet reminding of Gibson's persistent history of antisemitism:

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In NEWS Tags Directors, Mel Gibson, Politics
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Mel Gibson Writing and Directing ‘Wild Bunch’ Remake

September 24, 2018 Jordan Ruimy
Mel Gibson, The Wild Bunch

Deadline has the exclusive that "Mel Gibson has been set by Warner Bros to direct "The Wild Bunch," a new version of the 1969 Sam Peckinpah-directed classic Western. Gibson is writing the script with Bryan Bagby. Gibson will be executive producer."

"Bloody Mel" is at it again. We all know that he never skimps out on the on-screen violence with his films as director ("Braveheart," "Passion of the Christ," "Apocalypto" and "Hacksaw Ridge"), having created some of the most violent imagery to date in modern cinema. He seems to revel in staging be-headings and grisly deaths. A madman indeed.

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In NEWS Tags Mel Gibson, The Wild Bunch
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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
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