My favorite film of the Cannes Film Festival, and of the year so far, has been Lee Chang-Dong's "Burning," which, so it happens, is a damn-near miraculous achievement. I would go as far and say I've never really seen anything quite like it. The cinematic movement happening right now in Korea is quite special.
Bar none, the best movie I saw at the last Cannes Film Festival. There wasn't even debate. Why? Because I don't think I've ever seen a movie quite like the genre-morphing "Burning." Even if it uses many of the enticing tropes of a whodunit drama, it feels incredibly fresh. Some of the filmmaker coming out of South Korea these days are utterly fascinating.
My full review for The Playlist.
