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‘Avengers: Doomsday’ Delayed to December 2026
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Michael Jackson Biopic Delayed (Again), Now Eyeing a Post-2026 Release—Maybe Even Two Parts
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Critics Puzzled by ‘Ballerina’ Embargo — Only “Enthusiastic” Reactions Allowed
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Three Films to Go and Still No Clear Palme d’Or Front-Runner [Cannes]
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Neon Acquires Jafar Panahi’s ‘It Was Just An Accident,’ Eyes Sixth Consecutive Palme d’Or [Cannes]
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Trailer for Claire Denis’ Polarizing ‘High Life’

January 16, 2019 Jordan Ruimy
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Claire Denis‘ "High Life" had an underwhelming world premiere at the Roy Thomson Hall during the Toronto Film Festival, for which I attended. Around half the audience had already left the theater by the time the film ended, you could just tell nobody was into it. And this is coming from a fest that prides itself in having the best audience in the world. Even Toronto audiences couldn't deal with the metaphorical artsy ambitions that were unfurling on-screen. And I don't mean that as a detraction of Denis' mad ambitions in "High Life," which, by all accounts, warrants a repeat viewing on my part. For now, I'll refrain from reviewing "High Life," until I watch it a second time, but Denis will have her widest audience ever for this sci-fi film, which has her working with the biggest budget of her career and stars Robert Pattinson. And by sci-fi I don't mean something akin to Christopher Nolan, this is Claire Denis after all, she makes personal films that are all but impenetrable for mainstream moviegoers.

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