Summer Movie Preview 2012




You hear that sound? That's the sound of explosive bombs, superheroes, no character development and little to no substance. Yes, it must be summer and with summer comes loads of big, loud, abrasive movies. It's been like this for a good long time now. The studios release their biggest blockbusters, suited for hormonally raged teenagers that just want escapism. Hey, there's nothing wrong with escapism, I like the occasional movie that wants to do nothing but entertain and numb the sense but there's something very shallow and unmoving about a movie season that takes its pride in doing that. The following 10 movies are the ones to look out for this summer. These 10 movies don't just want you to forget and escape, they have something to say and directors that have a real conscience for feeling and character. As American Beauty once tagged in its promotional campaign, "look closer".

The Dark Knight Rises (July 20th)
Here's the big one. A superhero movie that might go all the way to Oscar glory. With 2008's The Dark Knight, Christopher Nolan raised the bar for Superhero movies with a Batman that had deep, humane flaws in his tortured, dark soul. It was one for the ages and The Dark Knight proved to be the biggest blockbuster since Titanic. The anticipated sequel has higher expectations and no Heath Ledger as the Joker. Instead we get Tom Hardy as big, bad Bane and Anne Hathaway as Catwoman. If everything goes right and the film is just as good as its predecessor, Oscar might call for multiple nominations including a long overdue Director nod for Nolan.

Moonrise Kingdom (May 25th)
Wes Anderson is not one to abide by formula. His films are unique in tone, bold in look and original in story. Just look at his body of work (The Fantastic Mr.Fox, Rushmore, The Royal Tenenbaums, The Darjeeling Limited) an extendedly rich catalogue that will grow even further in the years to come. His latest, Moonrise Kingdom, stars Bill Murray, Bruce Willis, Edward Norton and an outstanding supporting cast. Details are hush hush about the plot but what we do know is that it centers around a pair of young lovers that run away from their New England town. Opening the Cannes Film Festival this May, Moonrise Kingdom should be way up in your must-see list.

Dark Shadows (May 11th)
Whenever Tim Burton releases a movie, we pay attention. No matter how disappointing his last few remakes were -Charlie And The Chocolate Factory? Alice In Wonderland?- his latest is nevertheless anticipated. Based on the 1960's Gothic soap opera of the same name, Dark Shadows casts Burton favorite Johnny Depp as a patriarchal vampire that wakes from a century long sleep. Leave it to Burton and Depp to bring dark humor to a film that most definitely needs it in loads. Although Burton is at his best when telling his own original stories (Edward Scissorhands, Sweeney Todd) here's hoping he nails it with this one.

The Dictator (May 16th)
Sacha Baron Cohen might just be the funniest guy in movies. 2005's Borat was not just funny, it's now a comedy classic. Expectations are high for Cohen's latest incarnation as an oppressive, western hating dictator. The trailer's jokes are hit and miss but one cannot discount Cohen's ability to provide humor with scathing satire. Although the movie might look brain dead, it looks to be painting a broad, scary picture of a society that's crumbling before our very eyes. Heavy stuff right? Leave it to Cohen to find the scary in the funny just like he did in Borat and Bruno.

Magic Mike (June 29th)
Does anybody want to watch a movie about the life of a veteran male stripper? I do. Especially when Steven Soderbergh (Traffic) directs. Channing Tatum stars as the stripper and to makes things even more interesting, Tatum started out his pre-Hollywood career as -you guessed it- a male stripper. Matthew McConaughey co-stars as the strip clubs sleazy owner.  It's the sort of personal autobiography that I look forward to in a summer of muck. It could hit all the right notes, especially with Soderbergh at the helm of this one.

Brave (June 22nd)
The folks over at Pixar (Ratatouille, Finding Nemo, WALL-E, Up, Toy Story 1,2,3) rarely hit a false note. Their tales are filled with deftly handled characters, adult oriented themes and storytelling that's just bliss. So it's with great anticipation that we look forward to their latest original tale, Brave. In fact it is the first Pixar film to feature a female heroine, Merida. A redheaded Scotswoman that can throw a fiercer bow than Katniss Everdine ever did. Although Cars 2 was an immense disappointment, I wouldn't count Pixar out just yet.  Judging by the trailer, Brave has the potential to do big things

Prometheus (June 8th)
One of the most anticipated movies of the year, Ridley Scott's Prometheus is a prequel to his sci-fi classic Alien. Not much is known about the movie, and the teaser trailer doesn't help any further in trying to assemble the missing pieces of the puzzle. What we are left with is a scat amount of images involving the cast (Michael Fassbender, Charlize Theron) as they suit up for a space mission that looks scarily bleak. In an age where the entire movie is revealed in the trailer, Scott is trying to defy the odds and have you go along with him for a ride that is riddle with questions. Isn't that how movies were supposed to be in the first place? mysterious?

To Rome With Love (June 22nd)
Woody Allen's follow-up to last year's successful Midnight In Paris has another stellar cast at its disposal. This includes Jesse Eisenberg, Penelope Cruz, Alec Baldwin and Allen himself . Expectations are at their highest for the Woodman's 43rd film, which follows the same formula he used in Midnight In Paris. To Rome With Love is a love letter to a city he has always adored. Will it be another successful artistic achievement or will it fall in the same routine trap as his latter career films (Scoop). No matter, if we've learned one thing about Woody Allen over the years, it's that you never count him out.


The Amazing Spider-Man (July 3rd)
The Bourne Legacy (August 3rd)
Two movie franchise reboots. If there's anything we can learn from Summer 2012 it's that fresh, new ideas are not seen anywhere. In The Amazing Spider-Man Andrew Garfield takes over the Tobey Maguire role and Marc Webb takes over Sam Raimi's directorial duties, yet there's hope. Webb directed the awesome 500 Days Of Summer, Garfield is a talented young actor and the trailer looks like it won't be the same old story. This could be a major surprise. In The Bourne Legacy Matt Damon is replaced by Jeremy Renner yet there is no Jason Bourne in the movie, it's a new agent and a new setting. Tony Gilroy, who directed the great Michael Clayton, takes the helm of the franchise and I'm betting he's going to do a solid job.

Summer Movie Weekly Roundup


The Devil's Double (R)
Saddam Hussein's son -Uday- had a body double that followed him around in every one of his coked up, girl raping, partying ways. It was only a matter of time before a movie would come out about this spoiled, nonsensical brat. What director Lee Tamahori does here is run excess on everything. The gestures are over exaggerated, the violence is over the top and the sex is kinky. It's a wild, mind numbing time at the movies and should not be taken very seriously or as a true document of Uday. Which doesn't mean it's not trashy entertainment. Tamahori knows he's doing every scene over the top and with flashy style but it's not his direction that caters the movie through, It's Dominic Cooper's sensational double performance as both Uday and his body double Latif - the fact that you can tell both characters apart at all times is a testament to his talent. Watch Cooper - a firecrackingly good actor- run through his own portrayals of both good and evil in one of the best performances of the entire summer. ★★½

Our Idiot Brother (R)
Paul Rudd nearly saves this film. Notice, I said nearly. Rudd is one of the most underrated comey actors working today, especially when he's working with writer/director Judd Apatow. In Jesse Peretz' Our Idiot Brother, Apatow is nowhere to be found. This is a movie that blindly riffs off of the Coens' The Big Lebowski in all its hipster, trippy glory. Yet, I wouldn't even think twice about putting that cult classic alongside this rehashed, slight affair. Rudd plays the role of the hipster, naive brother perfectly but the rest of his female sisterly castmates can't compete. Zooey Deschanel -usually great- seems lost and Emily Mortimer -an indie Darling- tries her best in an underwritten role. The film premiered at Sundance earlier this year and continues the angering trend of having average Sundance favourites hit theatres over the past few years. It's turned into a festival that has replaced mavericks with sun-shined, holy business. Gone are the days of Memento and Reservoir Dogs. ★★

30 Minutes Or Less (R)
Fresh off his triumphant performance in The Social Network, Jesse Eisenberg decided to choose a Hollywood action thriller as his next project. In 30 Minutes Or Less the action comes out blazing at you in a relentless pace. The screenplay might be midly tired out but the cast makes it a vibrant, joyous 86 minute ride. (Loosely based) on real life true events that involved the kidnapping and bribing of a pizza delivery guy, the film boasts some of the better comedians out there at the moment. Aziz Anzari spurts out dialogue in such snazzy style and Danny Mcbride -fresh off the debacle of Your Highness- redeems himself in a performance that had me itching for more of his perverse, unscripted lines. In fact, the whole film feels like a loosely improvised treat. There's isn't much that stays with you once the lights dim up but here's a film that doesn't think too highly of itself and just want to have fun. ★★½