When his best friend Oliver Hardy died, Stan Laurel refused to act ever again. That simple insight explains the core of what makes Jon Baird‘s "Stan & Ollie" (Sony Classics, 12.28) a touching tribute to the legendary Hollywood duo. The film is about a lasting friendship in a line of work where friendships shouldn't exist, and backstabbing is supposed to happen, every inch of your moral compass being tossed out of the window for the sake of fame.
Read moreNot even Joaquin Phoenix Can Save Languidly-Delivered “The Sisters Brothers”
You can usually count on director Jacques Audiard to deliver the goods and, more times than not, he does. I was rather taken by his last four films, (in order of preference, "A Prophet," "Rust and Bone," “The Beat My Heart Skipped," and "Dheepan") all dealing with the dark corners of male masculinity. That's why his latest, "The Sisters Brothers," a grimy, gunky Western filled with absurdist nihilism, suffers from being so, well, un-Audiard-esque.
Set in 1851, the film deals with brothers and assassins Charlie and Eli Sisters (Joaquin Phoenix and John C. Reilly play the Cowboys), as it languishes its Northwestern setting, deep through the mountains of Oregon, right into a dangerous brothel in the small town of Mayfield, and ending in the gold rush-set landscape of California. Paralleling their story are Jake Gyllenhaal and Riz Ahmed's lone drifters, them too set on striking it rich in California.
John C. Reilly and Will Ferrell Team-Up for "Holmes and Watson" [Trailer]
The last great Will Ferrel comedy was "Step Brothers." It now feels like a prophetic statement on today’s epidemic of stay-at-home millennials, except "Step Brothers" was released 10 years before this disconcerting phenomenon.
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