I can't say I didn't enjoy some moments of M Night Shyamalan's "Glass," the writer-director's follow-up to the surprisingly revealed trilogy which began with 2000's "Unbreakable," then was reshuffled for triple-ordered purposes with 2017's "Split" and now "Glass."
Read more“Glass” – Critics are not loving M. Night Shyamalan’s latest
Review to come …
Official Trailer for M Night Shyamalan's ‘Glass'
You can hate on the guy all you want, but, at some point, M. Night Shyamalan was known as the director that gave us "The Sixth Sense" and "Unbreakable." As far as I'm concerned, those two films justify his existence in the cinematic spectrum. "The Village" and "Signs" weren't half-bad either. Of course, following those two films, we got "Lady in the Water," and "The Happening," two unwatchable projects that signaled, maybe, the end of his career as the heir of Hitchcock/Spielberg for millennials.
Ever since those six films, with his signature style stamped all over them, Shyamalan has been dabbling mostly in Hollywood crap that has none of the carefully calibrated voice he created between 1999-2008: "After Earth," and "The Last Airbender" completely crushed his and our souls.
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