Despite middling box-office, Denis Villeneuve’s “Blade Runner 2049” pleased plenty, which only added to the Quebecois director’s impressive Hollywood resume thus far into his career. I’m not even counting his great French Canadian films, 2010’s “Incendies,” 2009’s “Polytechnique” and 2000’s “Maelstrom” to be precise - no, what Villeneuve has accomplished since his 2013’s Hollywood debut “Prisoners” is, quite frankly, astounding in terms of scope, ambition and technical prowess. Whether you like his movies or not, there are shades of absolute technical brilliance in “Arrival,” Sicario” and “Blade Runner 2049.” Despite screenplay lapses, they are the work of an artist that is a master at creating gloomy atmosphere.
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Director Denis Villeneuve fell in love with Bradley Cooper’s “A Star Is Born.” At least that's what he exclaimed as part of Variety’s Directors on Directors series, in which Villeneuve even penned an ode to the film:
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Roger Deakins. A legendary cinematographer that finally won an Oscar this past March, after 14 times being nominated, for his eye-popping work in "Blade Runner 2049."
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It has never been a secret that Denis Villeneuve had a four-hour cut of "Blade Runner 2049" [IndieWire ] and the director's claim that it was “pretty strong.” However, he has admitted that the released 163-minute theatrical version was still the better movie.
Editor Joe Walker, speaking to Collider as to what he left in and took out, gave us more details about the process. He mentions that he was ordered not to cut any of Cinematographer Roger Deakins' amazing shots.
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