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Danny Boyle on ‘28 Years Later: Part III': “We Gotta Raise the Money for It"

Garland's script is written. Boyle called it "fantastic" in that same interview, Murphy says he's ready, and Boyle wants to direct. All that's missing is the money.

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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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Kevin Spacey's Pandemic Conspiracy Thriller ‘The Awakening' Is Coming in November: “The Film They Don't Want You to See”

Who's "they," exactly? The Illuminati? The Deep State? Hard to say. The film premiered at Italy's Matera Film Festival on November 10. No reviews have trickled in yet.

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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Andrew Schulz Joins Joseph Kosinski's ‘Miami Vice '85’ Alongside Michael B. Jordan and Austin Butler

September 28, 2026 Jordan Ruimy

The “Miami Vice '85” cast keeps growing. Andrew Schulz has boarded Joseph Kosinski's big-screen reboot for Universal, per Deadline, joining leads Michael B. Jordan and Austin Butler.

Schulz joins a sprawling ensemble that already includes Whitney Peak, Alden Ehrenreich, Camila Morrone, John Leguizamo and Danny Ramirez. No word yet on who he's playing.

Dan Gilroy (“Nightcrawler”) wrote the script, which takes its cues from the pilot of the iconic NBC series and dives into the sleaze, excess and neon-drenched corruption of mid-'80s Miami. Kosinski is shooting it for Imax, with cameras rolling in November. Universal has it dated for May 19, 2028.

It's also a coincidental bit of timing. As I reported a few hours ago, Michael Mann's 2006 “Miami Vice” is getting a new Director's Final Cut on 4K this December, complete with a significantly reworked final act built from unseen footage. That film was dismissed by critics and audiences on release. Kosinski's version, by going back to the pilot episode, is clearly aiming for something closer to the show's pastel-and-synth DNA than Mann's grim, digital-video reinvention.

Where exactly does Schulz fit into all this? I'm not entirely sure. Comic relief, maybe? What’s clear to me is that he must have a fantastic agent.

Schulz best known as co-host of the “Flagrant” podcast (1.5 billion-plus YouTube views and counting) and has been stacking up acting gigs lately. He's in the upcoming live-action “Street Fighter,” just wrapped Apple's sports pic “Running,” and has previously appeared in “You People,” “White Men Can't Jump,” “The Underdoggs,” “The Thicket” and Netflix's “Tires.”

Claudio Miranda, the Oscar winner for “Life of Pi,” is also on board as cinematographer, reuniting with Kosinski yet again. He has shot every one of the director's features.

Kosinski is coming off the $600M+ success of “F1,” starring Brad Pitt, and also has an untitled UFO whistleblower thriller in the works at Apple. His other credits include “Top Gun: Maverick,” “Oblivion,” “Tron: Legacy” and “Only the Brave.” He knows how to make big, glossy spectacle; let's see if he can deliver it here too.

← Nancy Meyers' ‘Paris Paramount' Shoot Is Reportedly a “Nightmare,” With a Budget Ballooning Way Past $100MRichard Linklater Gives ‘Merrily We Roll Along’ Filming and Release Update: “See You in 2040” →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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