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Edward Zwick Returns to Directing With ‘Asymmetry,’ Starring Richard Gere and Diana Silvers
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‘The Devil Wears Prada 2’ Racks Up $10M in Previews — Eyes $80M Weekend
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Mel Gibson’s ‘The Resurrection of the Christ’ Wraps Seven-Month Shoot With New DP Robrecht Heyvaert, $250M Budget
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Who Will Direct ‘Top Gun 3’? Jon M. Chu, Joachim Rønning, and Adil & Bilall in the Mix
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Director Says His ‘Mr. Nobody Against Putin’ Oscar Has Vanished After Airport Security Made Him Check It
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Sam Neill Reveals He’s Cancer-Free

April 28, 2026 Jordan Ruimy

After nearly five years of uncertainty, Sam Neill has delivered the kind of news that feels genuinely worth celebrating: he’s cancer-free.

The beloved face of “Jurassic Park”—a screen legend and a true Kiwi icon—has come through a battle with stage-three blood cancer and emerged on the other side.

In a candid conversation with 7 News Australia (via Variety), Neill reflected on the long road behind him. For years, he lived with a form of lymphoma, enduring chemotherapy treatments he described as “pretty miserable,” though lifesaving.

Then came the turning point. When chemotherapy stopped working, Neill admitted he felt lost, fearing certain death creeping upon him. And yet, in that moment of uncertainty, a new option emerged: CAR T-cell therapy, a highly personalized treatment that re-engineers a patient’s own immune cells to hunt down and destroy cancer.

And it worked.

“I’ve just had a scan… and there is no cancer in my body,” he said, with unmistakable joy. “That’s an extraordinary thing.”

When you think of Sam Neill, it’s impossible not to start with “Jurassic Park.” But his career stretches far beyond one franchise—he’s been unforgettable in “Event Horizon,” gripping in “Dead Calm,” descending into madness in “In the Mouth of Madness,” quietly devastating in “The Piano,” and brilliantly unsettling in “Possession.”

True to form, Neill didn’t linger long in reflection before looking ahead with a spark of humor and determination: “It’s time I did another movie.”

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