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Box Office: ‘Clayface' Takes #1 With $24M, ‘You Can See Everything' Surges 25%, ‘The Social Reckoning' Is Done With 85% Drop

Warner Bros' "Clayface" is #1 this weekend with $24M domestic and $43M worldwide. That's a bit under what studio tracking was projecting a month ago ($25M-$35M), but this is not a total disaster.

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James Gunn Celebrates ‘Clayface’ A- CinemaScore: “Really Proud”

DC's "Clayface" has earned an A- CinemaScore from opening night audiences. That's a very good grade for any movie, and an especially rare one for horror, a genre audiences tend to grade harshly.

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Alex Garland's ‘Elden Ring' Now Costs Around $200M — A24 Isn't an Indie Studio Anymore

The Wall Street Journal reports that "Elden Ring" actually cost around $200M to make, nearly double what was floated when cameras started rolling in April. The film is still dated for March 3, 2028.

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‘Out of This World’: Albert Serra Calls His Riley Keough Film a “Masterpiece” — After Shooting 500 Hours of Footage

Now, before anyone criticizes the self-praise, this is nothing new for Serra. The man has been his own biggest hype machine for many years now.

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J. Todd Anderson, the Coen Brothers’ Longtime Storyboard Artist, Has Died at 67

The NYT went so far as to suggest in its obituary headline that the “Coens may be lost without him,” and Ethan's own words back that up: if you love their movies, he said, "a lot of it is him — more than people know."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Rumor: Amazon/MGM Pushing For Jacob Elordi to Play James Bond in Denis Villeneuve’s Reboot

October 1, 2025 Jordan Ruimy

A well-placed source tells me that Amazon is quietly pushing for Jacob Elordi as a contender for the next James Bond, though no formal offer has been sent out, and we’re still a long ways away from official casting. Elordi will likely have a screen test next year, the usual tuxedo fit and action scene.

Denis Villeneuve is expected to have a say in the matter, and so far there’s been no indication of a pushback on his part in terms of Elordi’s casting. A final decision is supposed to be made on the next 007 actor in mid-2026.

I reached out to Amazon, but the studio declined to comment.

What makes this development curious is that just last week, Deadline’s Baz Bamigboye reported Amazon’s criteria for the next Bond as that of an “unknown” British actor. Elordi is neither. He’s Australian, but his stock has been rapidly rising thanks to “Euphoria,” “Priscilla,” “Saltburn,” and the upcoming “Frankenstein.”

Elordi, 28, may, however, be a perfect fit for 007, a character that requires the looks, but a certain detached coldness, which Elordi has. He’d make a compelling Bond because he combines striking looks with an imposing frame and a natural air of detachment that aligns with Ian Fleming’s colder, more ruthless 007. His performances have shown he can balance charm with menace — exactly the duality required of James Bond.

A key factor in this reboot is screenwriter Steven Knight, who is penning Bond 26 for Amazon MGM. With credits including “Peaky Blinders” and “Eastern Promises,” Knight has a history of gritty, violent storytelling. One insider notes that the new Bond needs to look like “he could kill you with his bare hands in a trice” — a clear nod to Ian Fleming’s more brutal conception of the character. Standing at 6’5”, Elordi certainly fits the physical criteria.

Knight is said to be drawing heavily from Fleming’s earliest novels, which could signal an “origin” Bond — revisiting his Royal Navy background, his recruitment into MI6, and eventual attainment of “00” status. The story could even be set in the ’50s or ’60s.

Still, casting won’t formally begin until Villeneuve wraps “Dune: Part Three.” Production on Bond 26 is expected to kick off in 2027, with a release planned for 2028, likely in the traditional November slot long favored for Bond premieres.

← Steven Soderbergh’s Best Films, According to Over 100 CriticsEmily Blunt on Martin Scorsese’s Hawaiian Gangster Epic With Dwayne Johnson: “It’s The Last Great American Mob Story” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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