According to Deadline, Amazon/MGM Studios is pressing forward with a “reimagining” of David Mamet’s 1987 neo-noir “House of Games,” with Viola Davis and Yahya Abdul-Mateen II set to star.
The new version is said to be a “modern reinterpretation,” which, if you’ve been paying attention to the state of studio cinema lately, should immediately raise red flags.
More troubling is the fact that this is not only a remake, but most likely a total rewrite of the original script. The new “House of Games” will be devoid of Mamet’s pen and, worse, stripped of the very thing that made the original a stone-cold classic: Mamet’s script, his unmistakable voice.
To remake “House of Games” without Mamet is like adapting Shakespeare without the words or shooting a Tarantino film without the monologues. The 1987 film, which marked Mamet’s directorial debut, was a hypnotic, brainy, and biting masterwork — a tightly wound con artist drama layered with existential dread, tension, and verbal sparring that crackled with razor-sharp dialogue. It was pure Mamet: lean, elusive, and devastating.
Lindsay Crouse, Mamet’s then-wife, starred as a stoic psychiatrist pulled into a seductive web of deception by Joe Mantegna’s slick grifter. The film was all about trust, ego, and manipulation — a noir wrapped in intellectual gamesmanship. The dialogue was stylized, yes, but that was the point. It was a chess match between characters, each line a move, each pause a threat. You couldn’t untangle the con from the conversation.
Viola Davis is a great actress. Yahya Abdul-Mateen II has presence. But why use them to sand down a jagged gem like “House of Games”?
A Mamet script doesn’t just tell a story — it is the story. Remove that voice, and what are you left with? An empty premise. Leave House of Games alone. You can’t con your way into greatness.