Well, it’s about time.
Alex Garland recently opened up, via an interview with GQ Magazine, that he quietly stepped into the director’s role on a film he originally wrote—fueling long-standing speculation that he was the uncredited force behind 2012’s “Dredd.”
In truth, what happened, just to be candid about it, look, a lot of time has passed, I did end up […] doing ghost-directing. Something would be going wrong, or I would feel something was going wrong, and I saw the execution of scenes, and I would be thinking, ‘That’s not really what that scene is like, it’s missing this key component part, and it doesn’t quite make sense to me.’ I could also see when the film was released that people didn’t care whether that key component was there or not, but I cared.
Garland has a long history as a screenwriter, including notable collaborations with director Danny Boyle on films like “28 Days Later.” He also penned Never Let Me Go, directed by Mark Romanek. Still, the field narrows when it comes to which projects he might have covertly directed—none more speculated than “Dredd.”
The rumor mill around “Dredd” has circulated for years, suggesting that Garland, frustrated with how things were unfolding with credited director Pete Travis, eventually took over most of the production, directing reshoots and shaping the final product. Garland never received official directing credit, but hints of his involvement have persisted.
In fact, actor Karl Urban, who starred as the titular Judge Dredd, reinforced that theory in a 2018 interview with JoBlo, saying, “A huge part of the success of ‘Dredd’ is, in fact, due to Alex Garland and what a lot of people don’t realize is that Alex Garland actually directed that movie.”
Although initially met with lukewarm critical reception and a dismal performance at the box office, Garland’s “Dredd” has steadily ascended to cult classic status, buoyed by the fervent support of fans who discovered it through home video, VOD, and streaming platforms. A bold reimagining of the 1990s “Judge Dredd” —a far more conventional action vehicle headlined by Sylvester Stallone— “Dredd” distinguished itself as a stark, uncompromising, and vastly superior interpretation of the source material.
Visually arresting and tonally unflinching, the film carved out a space of its own within the sci-fi genre, elevated by Paul Leonard-Morgan’s pulsating, cybernetic score, which injected a hypnotic, avant-garde pulse into the film’s neon-drenched brutality. It was a singular work—visionary in execution and unapologetically stylized.