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‘One Battle After Another’ Is Brilliant, Chaotic, Messy — and Dangerously Overhyped [Review]
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Pete Davidson Calls Out People Who Complain Pedro Pascal is in Everything: “Go The F—ck Away”
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Joel Coen's ‘Jack of Spades' is a “Gothic Mystery" Set in 1880s Scotland — Damian Lewis Joins the Cast
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Leonardo DiCaprio Says Box Office Is “Very Important” for ‘One Battle After Another’
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Bill Burr to Star in Aaron Sorkin’s ‘The Social Network: Part 2’
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Joshua Oppenheimer's ‘The End' Not Going to Venice?

June 8, 2024 Jordan Ruimy

Hearing shaky things about this one. It might have the same fate as Audrey Diwan’s “Emmanuelle” and not show up at either Cannes or Venice … However, Telluride is a real possibility for a world premiere. Just what I’m hearing.

“The End” is a post-apocalyptic “Golden Age” musical. It started production in February 2023. The film stars George MacKay, Tilda Swinton, Michael Shannon, Moses Ingram, Bronagh Gallagher, Tim McInnerny and Lennie James. Neon is producing. The plot centers on the last human family alive. Here’s the synopsis:

A post-apocalyptic story about a rich family, surviving two decades after the world ended, living in a salt mine converted into a luxurious home. The earth around them has apparently been destroyed, but their 13-year-old son, born in the bunker, has never seen the outside world. There is a maid, with whom the son has his only honest relationship. There is also a doctor, and a butler. Unspoken blame over leaving loved ones behind looms over this family, hollowing out whatever intimacy they once shared. Suddenly, a young girl appears at the entrance of the bunker, the balance of the family is threatened.

Oppenheimer is known for his two highly acclaimed docs, “The Act of Killing” and “The Look of Silence,” which tackled the Indonesian mass killings of 1965-66. “The End” is his first foray in fiction filmmaking.

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