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Wes Anderson & Richard Ayoade Writing New Film Together [Cannes]
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Box Office: Andrew DeYoung’s ‘Friendship’ Scores Big With $23K Per-Theater Average, Set for Major Expansion Over Memorial Day
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Denzel Washington Earned $35M Salary to Star in Spike Lee’s ‘Highest 2 Lowest’
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Guillermo del Toro Says His ‘Frankenstein’ Is More Heart Than Horror
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Safdie, Baumbach, Berger, Guadagnino and Lanthimos Tipped for Venice
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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‘The Gray Man’: Another Robotic, Algorithm-Infused Actioneer From Netflix [Review]

July 12, 2022 Jordan Ruimy

This $200 million action movie, the most expensive Netflix production ever, is exactly what you’d expect from the studio that brought you “Red Notice”: an algorithm-infused product that barely has a beating heart.

Don’t get me wrong, the action scenes, for the most part, grab your attention from the get-go, this is filmmakers Joe and Anthony Russo after all. However, where’s the character work? It all feels rather thin and not the product of filmmakers who actually want to say something valuable or concise. What? The CIA is evil. Fine. What a tepid message.

Ryan Gosling (slick) and Chris Evans (deranged) are spy vs. spy, they keep tailing each other throughout the movie. There’s a seven-figure contract out on Gosling’s Bourne-like spook’s head. Evans is the cartoonish bad guy, a man who has no moral boundaries and will do anything to kill him. Heard this one before?

There’s a ton of shooting, and explosions and it all culminates in a predictably payed out climax. The movie is LOUD, and the camera work quite frenetic. This is the type of movie that will probably be an easy watch for Netflix subscribers watching it at the comfort of their own home (07.22.22) but before that it’ll get a small theatrical release this Friday. Enter “The Gray Man” at your own peril.

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