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Spike Lee’s ‘Highest 2 Lowest’ Earns Positive Reviews [Cannes]
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Lee Chang-dong Ey 2026 with New Feature ‘Possible Love’ — Set to Shoot This Fall
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Julia Ducournau’s ‘Alpha’ Has A Teaser!
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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‘Human Factors’: Sundance and Berlin Title is a Twisted, Haneke-inspired Treat [Review]

May 3, 2022 Jordan Ruimy

The shadow of Michael Haneke looms heavily in “Human Factors,” as French-German couple Nina (Sabine Timoteo) and Jan (Mark Waschke), tired of the advertising agency they co-own, take their kids Max and Emma to an idyllic off-season retreat for a seaside vacation.

Trouble soon follows them as burglars storm through their country house, unseen by anyone except Nina, and soon after exit without taking anything. The police are called to investigate, but the evidence doesn’t add up, the account Nina gives them is as shaky as her marriage to Jan.

Director Ronny Trocker plays around with truth and perception, and that’s what this movie is about; the notion that we’re all incapable of understanding each other’s points of views, there’s a slant to everything. Trocker deals with these themes through the lenses of a middle-class family crumbling from within. He invents his own rules for the narrative via a nonlinear structure that kept me guessing until the final shot.

The creeping discontent oozing in this film is that of witnessing each character’s perspective and soon realizing that they are all living in their own 21st century reality. 

SCORE: B+ 

“Human Factors” is being released in theatres and on VOD this coming Friday.

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