Netflix’s Michael Schumacher documentary is a brilliantly crafted, microscopic look at the mercurial competitor and champion, told by those who knew him best.

Alejandro Aja’s “Oxygen” (Netflix, 05.12.21) his follow up to “Crawl” is an extremely watchable understated horror film. With the “buried alive” aspect almost being a genre of its own, this French thriller does really well to break out of what, if not paced well, could have easily become a tedious 90 minutes.

With Cinemas all over the world slowly beginning to reopen, we thought we’d run down just what you’ll be able to see on the big and small screen over the next few months. From blockbusters, to possibly, Oscar contenders, let’s have a look.

Hollywood’s most ridiculous awards ceremony returns, albeit six weeks later than usual. Even with its value to awards season decreasing every year (and rightly so), and with the (not so) shocking allegations hanging over HFPA members, they may have been wise to let the globes rest for a year. However, here we are. So, let’s see who the virtual winners on Sunday night might be…

“One Night In Miami” is a hugely impactful multi-layered character study of some of history’s most important figures. Engaging, urgent, important, and with four of the best performances of the year. Regina King’s debut feature, whilst undoubtedly being labeled a serious awards contender, is also one of the year’s most impactful and important films.

The show that arguably paved the way for a new wave of dramas not operating in a normal linear format. Written by Nic Pizzolatto and directed by Cary Fukunaga, “True Detective” (season one) turns six this year. From its psychospiritual monologues, harrowing events, electric performances, and gripping storytelling, this puzzle of a show remains one of the single best seasons of television ever made.

The world lost a tremendous actor and a cultural icon after Chadwick Boseman’s tragic passing just over a week ago. In tribute to the late actor’s legacy, we have compiled a list of his great performances, in order to celebrate the life of someone who brought so much to the screen.

The final X-Men film from Fox, pre-Disney merger, has finally bowed on screens, some two years and five months after it was originally supposed to do so. It would have been naïve to think going into the film that it would resemble anything close to quality cinema, especially given how close it came to never see the light of day, and what we get is an underwritten and tonal mess.

The king of original blockbusters is back. This time with the heavy-metal, ear-piercing, rip-roaring, and undoubtedly very confusing “Tenet”. World of Reel writer Theo Fisher has his own take on the biggest movie of the years.