UPDATED with Hayao Miyazaki’s “How Do You Live?,” Kitty Green’s “The Royal Hotel” ,” David Michod’s “Wizards,” Brandon Cronenberg’s “Infinity Pool” Marielle Heller’s “NightBitch” William Oldroyd’s “Eileen” Cory Finley’s “Landscape With Invisible Hands” Joshua Oppenheimer’s “The End,” Emerald Fennell’s “Saltburn” and Ethan Coen’s Untitled Road Movie.

EARLIER: I’m currently tracking these 2023 films.

If I’m missing any then please let me know. This is the start of my blueprint for our annual “Most Anticipated” list, which usually runs in December. I know, I know, a tad too early? But you have to start early with these.

2023 looks good on paper, but if this year has taught us anything, it’s not to have our expectations raised too high as plenty of films get pushed back or delayed. What we are looking for are movies from well-known and/or well-regarded filmmakers. I’ve amassed around 50 titles so far.

Christopher Nolan’s “Oppenheimer”
Martin Scorsese’s “Killers of the Flower Moon”
Wes Anderson’s “Asteroid City”
Wes Anderson’s “The Wonderful Story of Henry Sugar”
Jonathan Glazer’s “The Zone of Interest”
David Fincher’s “The Killer”
Yorgos Lanthimos’ “Poor Things”
Yorgos Lanthimos’ “AND”
Woody Allen’s “Untitled French Thriller”
Ridley Scott’s “Napoleon”
Francis Ford Coppola’s “Megalopolis”
Michael Mann’s “Ferrari”
Terrence Malick’s “The Way of the Wind”
Steve McQueen’s “Blitz”
Todd Haynes’ “May/December”
Alexander Payne’s “The Holdovers”
Robert Eggers’ “Nosferatu”
Jeff Nichols’ “The Bikeriders”
Greta Gerwig’s “Barbie”
Ari Aster’s “Disappointment Blvd”
Lynne Ramsay’s “Stone and Mattress”
Sofia Coppola’s “Priscilla”
Bradley Cooper’s “Maestro”
Roman Polanski’s “The Palace”
Jeremy Saulnier’s “Rebel Ridge”
Denis Villeneuve’s “Dune: Part Two”
Luca Guadagnino’s “Challengers”
Christian Petzold’s “The Red Sky”
Paolo Sorrentino “Sue”
Ben Affleck’s “Air Jordan”
Alice Rohrwacher’s “La Chimera”
Nuri Bilge Ceylan’s “Kuru Otlar Üstüne”
Sean Durkin’s “The Iron Claw”
Michel Franco’s “Memory”
Christopher McQuarrie’s “Mission: Impossible 7”
M Night Shyamalan’s “Knock at the Cabin”
Brady Corbet’s “The Brutalist”
James Mangold’s “Indiana Jones 5”
Pixar’s “Elemental”
Matteo Garrone’s “The Captain”
Ken Loach’s “The Old Oak”
Aki Kaurismaki’s “Fallen Leaves”
Richard Linklater’s “Hitman”
Rose Glass’ “Love Lies Bleeding”
Alex Garland’s “Civil War”
Jean-Luc Godard’s “Scenario”
Duke Johnson’s “The Actor”
Hirokazu Kore-eda’s “Monster”
Steven Soderbergh’s “Magic Mike’s Last Dance”
Mike Mills’ “Untitled”
John Carney’s “Flora and Son”
Lisandro Alonso’s “Eureka”
Andrew Haigh’s “Strangers”
Michel Franco “Untitled NYC Drama”
Catherine Breillat’s “Last Summer”
Bruno Dumont’s “The Empire”
Abdherrane Sissako’s “The Perfumed Hill”
Justine Triet’s “Anatomy of a Fall”
Robin Campillo’s “École de l'air”
Maiwenn’s “La Favorite”
Nanni Moretti’s “Il sol dell'avvenire”
Marco Bellocchio’s “La Conversione”
Jessica Hausner’s “Club Zero”
Kirill Serebrennikov’s “Limonov”
Radu Jude’s “Do Not Expect too Much of the End of the World”