It was almost a foregone conclusion that David Cronenberg would be bringing his upcoming “Crimes of the Future” to this coming May’s Cannes Film Festival.

The film is now being screened for international programmers, and I was lucky enough to find one reaction that will make absolutely every cinephile excited about the legendary director’s much-anticipated comeback vehicle…

“I cannot say much, obviously, but if people thought “Crash” was divise back in 1996, this is going to create way more chaos and controversy for sure. The last twenty minutes are a very tough sit. I expect walk-outs, faintings and real panic attacks (I almost had one myself!) at the Lumière theatre. No hyperbole, I promise.”

“Seydoux’s role is way too bonkers and RADICAL to contend for a Cannes Best Actress award in my book, but I'd love to be proven wrong. I see no precedent in Cannes for a performance of that caliber/genre gaining momentum with a jury … I mean Seydoux basically plays a (very oft-naked) Gina Pane-like artist of the near future.”

Please inject this movie into my veins right this minute.

Cronenberg hasn’t directed a film since 2014’s “Map to the Stars.” This latest one, his return to sci-fi after an almost 23 year absence, is also rumoured to the be 79-year-old’s swan song.

Extended Synopsis for”Crimes of the Future”: 

“Taking a deep dive into the not-so-distant future where humankind is learning to adapt to its synthetic surroundings. This evolution moves humans beyond their natural state and into a metamorphosis, altering their biological makeup. While some embrace the limitless potential of trans-humanism, others attempt to police it. Either way, ‘Accelerated Evolution Syndrome’ is spreading fast. Saul Tenser is a beloved performance artist who has embraced Accelerated Evolution Syndrome, sprouting new and unexpected organs in his body. Along with his partner Caprice, Tenser has turned the removal of these organs into a spectacle for his loyal followers to marvel at in real time theatre. But with both the government and a strange subculture taking note, Tenser is forced to consider what would be his most shocking performance of all.”