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John Malkovich Cancels ‘Music Critic’ Performance in Israel

John Malkovich, just a day after entering the top of the Best Actor race for his “Wild Horse Nine” performance, was announced to star in a production of “The Music Critic” in Israel next year.

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Netflix Will Report Box Office Totals for Six Movies, Including ‘Narnia’ and ‘Cliff Booth’

Some are starting to believe that Netflix may finally be softening its long-held resistance to theatrical movies — or maybe it’s all optics. It’s hard to tell.

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Casey Affleck’s ‘Company’ Is a 92-Minute Gothic Slog [Venice]

It pains me to say this, but Casey Affleck’s “Company,” as beautifully shot as it might be—by eight different cinematographers, no less—has a story, or stories, that just don’t take off.

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Joaquin Phoenix Reuniting with Mike Mills for A24 Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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John Mulaney Eyes Starring Role in Warner Bros. ‘Get Smart’ Reboot — David O. Russell to Direct?

Mulaney will star as wisenheimer Agent Maxwellg Smart. Seth Grahame-Smith (“Now You See Me, Now You Don’t”) is penning the screenplay. David O. Russell was attached to direct in 2024.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

August 9, 2026 Jordan Ruimy

Mel Gibson has finally shot “The Resurrection of the Christ,” his long-awaited follow-up to 2004’s “The Passion of the Christ,” and it sounds like he’s going much bigger this time around. The two-part film was shot simultaneously in Rome and is now deep into post-production.

But there’s one major change from ‘The Passion’: Gibson isn’t shooting the new films in Aramaic and Latin. They’re in English. Gibson is exaplaining the decision, during a Fan Expo Boston panel, to Collider, saying the material became too complicated to ask audiences to process through subtitles.

They’re both in English because the subject matter and just the theological download you have to go through is so complex that I don’t think people would like to have to read it in subtitles in a foreign language. You want to be able to digest it straight away.

That’s a significant departure from “The Passion of the Christ,” where the use of Aramaic and Latin was central to the experience. Audiences were unbothered by the experience as, at the time, it was the most profitable R-rated movie in history, grossing $612M worldwide, which today would amount to $1.1 billion.

Gibson clearly doesn’t think the same approach works in ‘Resurrection.’ I’m not sure why.

So I tailored the material to fit the audience, and I think having it in the vernacular would be better for it.

It sounds like there’s maybe a lot more material to digest this time? Gibson says the story couldn’t simply be told as a straightforward sequel. There’s too much going on, and the Resurrection itself has to be understood alongside other historical events.

It’s a very difficult thing to understand. So you can’t just tell the linear story that way.

Gibson has spent roughly 23 years thinking about ‘Resurrection,’ with the screenplay taking almost a decade to develop alongside Randall Wallace (“Braveheart”) and his brother. The screenplay eventually became so big that it had to be split into two films. Gibson says the break was always there, rather than something imposed on the movie later.

It had it in the script, but it had a natural breaking point. There’s Part One and Part Two, and they’re distinct. I think they stand alone as individual pieces, but they do complete one another.

Gibson, having shot both movies, is now working on the edit and visual effects. He’s also teasing something that apparently isn’t going to resemble what audiences are expecting.

I don’t think it’s anything anyone would expect.

Each part is reportedly budgeted at around $125M, putting the combined production budget at around $250M, making it by far Mel Gibson’s most expensive directorial project. Jim Caviezel and Monica Bellucci will not return, with Jaakko Ohtonen playing Jesus and Mariela Garriga as Mary Magdalene. Part One is set for May 6, 2027, followed by Part Two on May 25, 2028.

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Joaquin Phoenix Reuniting with Mike Mills for A24 Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

Read more →
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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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