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Nicholas Hoult Exits ‘Harry Potter’ After JK Rowling Backlash, Replaced by Kit Harington as Gilderoy Lockhart

Hoult has dropped out of ‘Harry Potter’ and has been replaced by Kit Connor. Hoult’s reason was “scheduling issues,” and hey, maybe it really was “scheduling issues,” but the timing is rather odd.

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‘The Brave and the Bold’ “Put on Hold” Amid Paramount-Warner Bros. Merger

Gunn has previously called Batman his “biggest issue” in the DCU and spoken at length about how difficult it is to develop a version of the character that feels distinct enough from Reeves’ vision.

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Zack Snyder’s ‘The Last Photograph’ Is an ‘Apocalypse Now’-Style Epic That May Be “Too Violent” for Studios — Still No US Distribution

If the movie is as rough as some in the industry seem to fear, that teaser may have been less of a marketing campaign and more of a public plea for somebody to finally take the damn thing.

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David Chase to Direct ‘The Dealer’s Daughter,’ About the CIA’s MKUltra Mind-Control Experiments — Shoots in October

Since “The Sopranos” bowed out in 2007, Chase has dabbled in film, directing 2012’s “Not Fade Away” and writing the “Sopranos” spinoff “The Many Saints of Newark.”

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‘NAZA,’ From ‘No Other Land’ Directors, Joins Venice Film Festival Competition

Synopsis: “Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza”.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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DGA and IATSE Back Paramount’s Warner Bros. Merger, Urge AG Rob Bonta to Drop Lawsuit

August 12, 2026 Jordan Ruimy

Since September 2025, Christopher Nolan has been serving as president of the Directors Guild of America, placing him squarely at the center of Hollywood’s most important existential threats.

Back in February, when it looked like Netflix might acquire Warner Bros., Nolan publicly came out opposed to the deal, citing “very significant concerns” about the potential merger. He did not believe Netflix’s theatrical rollout promises.

So, it should not come as much of a surprise that Nolan’s DGA has now come out in support of Paramount merging with Warner Bros. and is telling California AG Rob Bonta to back off his 12-state lawsuit against David Ellison.

The DGA and IATSE are urging AG Bonta and Paramount/Skydance CEO David Ellison to settle Bonta’s antitrust lawsuit. The unions argue that, while they generally see limited benefits for workers from mergers, the prolonged uncertainty surrounding this deal is worsening conditions in an already struggling industry.

In the letter, the unions said the March 2 trial date is “damaging” because productions have reportedly been delayed or canceled, further shrinking employment opportunities. Their position puts them at odds with the Writers Guild of America, which has filed its own antitrust lawsuit seeking to block the merger.

As our members struggle to find employment, the uncertainty surrounding the proposed merger is only making matters worse,” the letter states. “We are aware of productions that have been put on hold or canceled altogether, leading to further reductions in available work for our members and other industry workers.

The DGA and IATSE are instead proposing conditions and commitments, all of which Paramount has already accepted, including keeping the two studios as separate entities, having each produce at least 15 films annually, and continuing to license content from outside production companies at pre-merger levels. In other words, they are siding with Ellison.

It’s a pretty remarkable turnaround for the DGA and IATSE. Just months ago, they were warning about the “dangers of consolidation.” Now they’re effectively telling regulators to stop fighting the Paramount-Warner Bros. deal. Then again, they no doubt would rather have Paramount at the helm than Netflix, which is the untold story here—and something many outlets will overlook in their reporting of tonight’s letter. This isn’t necessarily about suddenly becoming pro-merger. It’s about choosing the lesser of two evils.

The DGA and IATSE are two of the most powerful showbiz unions, and If this merger does go through, they will have absolutely played a role in helping make it happen.

← Drew Starkey Teases Role in Luca Guadagnino’s ‘American Psycho,’ Which Reportedly Has No Killings Until the Climax‘Coyote vs. Acme’ Scores 94% on Rotten Tomatoes, But Is Tracking for Weak $6–8M Opening →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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