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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Emily Blunt Says the Script for ‘Edge Of Tomorrow’ Sequel is Done and Ready to Go

August 5, 2023 Jordan Ruimy

Emily Blunt says the script for the “Edge Of Tomorrow” sequel is done and that she’s ready to film it. During an interview with Josh Horowitz, on his Happy Sad Confused podcast, Blunt says she’s “so ready.”

I wish there could be one. There was one that Doug [Liman] slithered over to me and like… I would love to make it a reality, but I just don’t know when or how – how many Mission Impossibles does [Tom Cruise] need? Come on!

You might have missed the exhilarating work director Doug Liman, and his stars Tom Cruise and Emily Blunt, gave us in the summer of 2014 with “Edge of Tomorrow.”

The film only earned $100 million at the box-office, and while some might have dismissed the film as a sci-fi “Groundhog Day,” they weren’t exactly wrong. However, Liman’s film was more than just a gimmick. It had an originality and spontaneity that most other action blockbusters fail to achieve. A playfulness that left you giddy with excitement.

For a film that essentially dealt with Cruise’s Colonel time-looping the same war zone memory over and over again, you might have expected the film to have a certain kind of over-stayed repetitiveness, but that never happened. In fact, the only quibble I had with the movie was about the last ten or so minutes when the plot deviated away from the time-looping and into anti-climactic combat mode.

People eventually caught on as to how great the film was when it hit home video, capturing a solid fan base and becoming a sci-fi classic in the process. So much so that a sequel is now in the works with Liman, Cruise and Blunt all returning.

Liman has stated that the film would “revolutionize how people make sequels” and that the film would be titled “Live Die Repeat and Repeat.” Cruise’s buddy Christopher McQuarrie (“The Usual Suspects,” “Mission Impossible: Rogue Nation“) is writing the screenplay.

Speaking to Flickering Myth, Liman said the sequel wouldn’t have been possible without the fan base that developed, pushing it forward:

…we came up with an idea for a sequel that’s so shockingly revolutionary for how a sequel would get made, and it’s so fresh and it’s such a fun story. We only even started talking about a sequel because there was so much fan affection for the movie, that people started asking us about a sequel. There was so much love for the film. It used to be that people come up to me and talked to me about ‘The Bourne Identity.’ But ‘Edge of Tomorrow’ is the one that people constantly come up and talk to me about. There’s so much affection for the movie we at least owe looking at it to see if there’s an idea for a sequel and we came an idea that I can’t stop talking about.

This is all a major turnaround from the summer of 2014 when the film was dying a slow and painful death at the box-office and looked like it wouldn’t make back its $178 million budget. Liman clearly is in love with the premise he has for this sequel. Or is it a prequel? It’s always risky trying to have a continuation to a much-loved film, but we trust Liman, a smart and capable action director, to bring it with this film, even if some movies are better left untouched.

← Disney Working on ‘Tangled’ and ‘Princess and the Frog’ Live Action Remakes …‘Barbie’ and ‘Oppenheimer’ Will Compete for Multiple Oscars, Including Picture and Director →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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